Kamis, 31 Juli 2014

[K939.Ebook] Download The Professionalization of Intelligence Cooperation: Fashioning Method out of Mayhem, by A. Svendsen

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The Professionalization of Intelligence Cooperation: Fashioning Method out of Mayhem, by A. Svendsen

An insightful exploration of intelligence cooperation (officially known as liaison), including its international dimensions. This book offers a distinct understanding of this process, valuable to those involved in critical information flows, such as intelligence, risk, crisis and emergency managers.

  • Sales Rank: #5335545 in Books
  • Brand: Brand: Palgrave Macmillan
  • Published on: 2012-10-02
  • Released on: 2012-10-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.58" h x .90" w x 5.73" l, 1.05 pounds
  • Binding: Hardcover
  • 244 pages
Features
  • Used Book in Good Condition

Review

"The Professionalization of Intelligence Cooperation is the product of intense research and deserves serious attention."

-The Intelligence Officer's Bookshelf, CIA Studies in Intelligence (Dec, 2013)

About the Author
ADAM D.M. SVENDSEN,�PhD (Warwick, UK), is an intelligence and defence strategist, educator and researcher in the Centre for Military Studies, Department of Political Science, University of Copenhagen, Denmark. He has been a Visiting Scholar at CPASS, Georgetown University, researched at Chatham House and IISS, London, and has trained at European defence and emergency planning colleges.

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Senin, 28 Juli 2014

[D435.Ebook] Download Unrepentant Sinner: The Autobiography Of Col. Charles Askins, by Charles Askins

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Unrepentant Sinner: The Autobiography Of Col. Charles Askins, by Charles Askins

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Unrepentant Sinner: The Autobiography Of Col. Charles Askins, by Charles Askins

Colonel Askins is an adventurer. Whether it be fighting his way out of an ambush, hunting tiger in Asia or sniping along the Rhine, Askins has done it with gusto. Here he recounts his early days as a forest ranger, his decade of slinging lead on the Mexican border, his astounding success as a competitive pistol shot, his combat participation in World War II, his adventures as a paratrooper in Vietnam and his career as one of the world's leading big-game hunters.

  • Sales Rank: #75446 in Books
  • Brand: Brand: Paladin Press
  • Published on: 1991-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .90" w x 5.40" l, 1.15 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
Perfectly Titled
By The Guy Who Reads
Askins isn't a great storyteller nonetheless, just the bare bones story of his life makes fascinating reading! He was truly a unique character. Some might be shocked at the insouciance with which he took human lives during both his military and law-enforcement career. Nowadays many of the things he did would likely land him in jail, yet I can't help but wonder if we are really any better off now with all the less-than-lethal procedures, rules of engagement etc. that cops and our military have to resort to to spare the lives of often truly despicable individuals.
One thing that was odd and a bit distracting were the many misprints. For example, any time the letters c & t came up together a letter D would appear instead! Clearly a technical glitch & not Askins, fault. Strange.
All in all, I consider Unrepentant Sinner well worth reading.

0 of 0 people found the following review helpful.
Good story - sloppy e-book
By DrDWilliams
Charles Askins memoirs are a fun and interesting read - provided you can get past the sloppy production values of Palladin Press. It appears that they, or someone, scanned the book and imported it directly into e-book format without so much as reading through it to replace the scanning errors. This makes it terribly annoying to constantly translate erroneous words properly e.g. from "hid" to "hill." Also, the book ends rather abruptly -- leaving one to wonder if that's just where Col. Askins left off or if the folks who converted it to an ebook just left out a portion at the end.

If you enjoy military and hunting memoirs, this is a good story and you'll enjoy it. Askins and his father were both well known writers for most of the major sporting magazines over the course of the 20th century.

I'd recommend that the editors of Palladin fix the errors in this edition which would generate more like a 4 star rating. But Askins was touchy about editors - terrifically proud of his writing as it came from the pen. There are redundant passages in several places that a good editor would have cleaned up. But perhaps (s)he'd have been shot trying. You'll understand that after reading the last chapter contained in this edition.

3 of 3 people found the following review helpful.
The Last Gunfighter
By Albert Rush
It could be said that Charles Askins was the last real "gunfighter" or in the very least one of the last if grouped with friends like Bill Jordan and Skeeter Skelton. His book, "Unrepentant Sinner" is remarkable and I have rated it five stars not for its literary quality, but for the simple fact that its a rare thing to see someone open up so honestly on paper about themselves. Critics of Colonel Askins book are correct, it is "self-serving" and often bigoted. Askins who has now been deceased since the 1990s was very much a product of the early 1900s, even a throw back to a time even earlier than that. His career as a professional gun handler, both in Law Enforcement and in the US Army spans the end of the "Wild West" to Vietnam, during which time he worked for the USFS, fought Prohibition era smugglers with the Border Patrol, won dozens of professional shooting matches, served in North Africa, Sicily and in the ETO during WWII, became a Paratrooper and later served in a number of post-war occupations with the Army in Spain and Vietnam. Throughout these chapters of his life he was also considered one of the country's foremost "gun-writers" and wrote numerous books and articles on guns and shooting.

But he was also controversial, and will probably remain so. In addition to racially charged comments which are sure to offend many modern readers, Askins also appears to have bent the rules (and some laws) in more than one instance. Several of his Border Patrol gunfights would probably make international news today and that's probably putting it mildly. He also seems to have enjoyed pushing the limits during his competitive shooting career. Its worth noting that his resignation from the BP resulted from his use of unconventional pistol during one of his later matches.

Nevertheless the story of Askins' life is fascinating. Proceed with caution though, if anything the book suffers from poor editing and his overt bigotry may get old quick for many readers.

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Sabtu, 26 Juli 2014

[Y106.Ebook] Ebook Free The Great War: An Imperial History, by John H. Morrow

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The Great War: An Imperial History, by John H. Morrow

The Great War is a landmark history that firmly places the First World War in the context of imperialism. Set to overturn conventional accounts of what happened during this, the first truly international conflict, it extends the study of the First World War beyond the confines of Europe and the Western Front.

By recounting the experiences of people from the colonies especially those brought into the war effort either as volunteers or through conscription, John Morrow's magisterial work also unveils the impact of the war in Asia, India and Africa.

From the origins of World War�One to its bloody (and largely unknown) aftermath, The Great War is distinguished by its long chronological coverage, first person battle and home front accounts, its pan European and global emphasis and the integration of cultural considerations with political.

  • Sales Rank: #1149943 in Books
  • Published on: 2005-05-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .80" w x 6.14" l, 1.41 pounds
  • Binding: Paperback
  • 384 pages

Review

'Morrow is an excellent military historian who follows quite strictly the war's events on the various fronts, revealing the colonial effort in troops and economics.' - Prof. Annette Becker, The Times Educational Supplement��

About the Author
John H. Morrow, Jr., is Franklin Professor of History at the University of Georgia and the author of The Great War in the Air and German Air Power in World War I.

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0 of 0 people found the following review helpful.
Five Stars
By gflily
Innovative, comprehensive, notices (more than notices) that the war was waged outside Europe as well as in.

6 of 6 people found the following review helpful.
The Great War from a different perspective
By Jeremy B. Wilgus
Dr. Morrow's most recent work is a must read for those interested not only in the European theater of the Great War, but the colonial conflicts as well. It is more than a military history, for the work touches on race, society, the bias of imperialism, and the contributions of colonies to the conflict in Europe. I am certain this book would be useful to professional historians, however it is accesiable and thought-provoking to the layman as well. An excellent read, and a fine addition to Morrow's earlier works on air power in the Great War.

5 of 5 people found the following review helpful.
Excellent Scholarly Reexamination of WWI
By J. Manglitz
This work is as innovative as it is thorough with detailed examinations of previously unexplored themes as well as novel interpretations of common topics. Morrow's ideas and postulations are well argued and meticulously supported throughout the book. His style is engaging yet accessible, scholarly but unassuming. I highly recommend this work to anyone interested in academic military history and especially to those concerned with the history of colonization and imperialism.

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Jumat, 11 Juli 2014

[A962.Ebook] Ebook Download Sci-Fi & Fantasy Oil Painting Techniques, by Patrick J. Jones

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Sci-Fi & Fantasy Oil Painting Techniques, by Patrick J. Jones

A unique, behind-the-scenes look at the creative process and artistic philosophy of one of the masters of sci-fi and fantasy art, Patrick J. Jones. Influenced by Boris Vallejo and Frank Frazetta, he shares the secrets of painting Conan, mermaids, and other-worldly creatures, from initial pencil sketches to finished art. Featuring detailed, step-by-step tutorials packed with information, advice, anecdotes, and professional tips and tricks. A must for any serious student of the genre or any fantasy art fan. 

  • Sales Rank: #473875 in Books
  • Published on: 2014-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .90" w x 8.50" l, .0 pounds
  • Binding: Paperback
  • 192 pages

Review
"The master artist makes it clear that getting the groundwork right is the key to great art..."
ImagineFX Magazine

"Bringing his unique blend of exquisite color sense and delicate value control to everything from science fiction to classical mythology, Patrick paints for both the book cover and the museum wall."
Pat Wilshire, IlluXCon Co-Founder and author

"A unique, behind-the-scenes look at the creative process and artistic philosophy of one of the masters of Sci-Fi and Fantasy art, Patrick J. Jones. Influenced by Boris Vallejo and Frank Frazetta, he shares the secrets of painting...from initial pencil sketches to finished art--astonishingly finished, amazing pieces, I would add. Featuring detailed, step-by-step tutorials packed with information, advice, anecdotes, and professional tips and tricks, this is a must for any serious student of the genre--or any fantasy art fan. His work is AMAZING!"
Bud Plant: Bud's Art Books

"Patrick has a fire and a passion in his art that very few have. His understanding of anatomy, design, composition and lighting is excellent. His technique and style are brilliant. But mostly his art is magical..."Greg  Hildebrandt, Multi award winning SF & Fantasy artist and author

"I expect to be impressed by every piece that comes out of the hands of Patrick. His control of the paint and brushes is truly amazing. His technique is impeccable..."
Boris Vallejo, Multi award winning SF & Fantasy artist and author

“I expect to be impressed by every piece that comes out of the hands of Patrick. His control of the paint and brushes is truly amazing. His technique is impeccable.” —Boris Vallejo

“Patrick has a fire and a passion in his art that very few have. His understanding of anatomy, design, composition and lighting is excellent. His technique and style are brilliant. But mostly his art is magical.” —Greg Hildebrandt

“Luscious color! That’s the first thing I think when I see one of Patrick’s paintings. Then my eyes roam around and see the silky skin of the characters, the intricate design work of their ornamentation.” —Julie Bell

“Patrick is a phenomenal artist, equally versed in both traditional and digital methods . . . as well as a wonderful teacher.” —Dan Dos Santos

“Bringing his unique blend of exquisite color sense and delicate value control to everything from science fiction to classical mythology, Patrick paints for both the book cover and the museum wall.” —Pat Wilshire, IlluXCon Co-Founder

“Blazing with color and heroics, Patrick's paintings capture the best of what Science Fiction and Fantasy has to offer — deft draftsmanship, killer compositions and sensual atmospheres.” —Donato Giancola

"...amazing." —Bud's Art Books

About the Author
Patrick Jones is an award winning science fiction and fantasy artist and teacher. His work is collected and published worldwide and his client list includes companies such as Disney, Lucasfilm, and Roc books. Boris Vallejo is an iconic science fiction and fantasy artist whose incredible oil paintings appeared on the covers of magazines such as Eerie, Creepy, and The Savage Sword of Conan, inspiring a whole generation of young artists. He has produced decades worth of fantasy art and is admired the world over as one of the all-time greats of the genre. He lives in Allentown, Pennsylvania.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Informative and motivating book focused on a very specific painting process
By Evan
One of the downsides to the more technical and classical approach to oil painting, is that you rarely get to see someone work through an entire multi-session painting, let alone explain their objectives, struggles, and ideas along the way. Patrick Jones gives us the chance to experience this entire process for quite a number of his paintings, and it is incredibly enlightening. This book is narrow in focus, which does a great job of reinforcing the most important points about Patrick's painting process The actual subjects of the paintings are superfluous, as the techniques can be applied to any subject, so long as you are interested in this particular painting methodology. I highly recommend this book, it is very informative, and quite motivating.

Who this book is for.
- Someone interested in a structured, and classical oil painting technique that take a lot of time over many sessions, but yield realistic results that leverage the unique properties of oil paints.

Who this book is not for.
- Someone exclusively interested in direct or alla prima painting techniques. Stylized approaches to painting that leverage the texture of thick paints, and don't lend themselves well to layering.

There is material in this book that is universal to all painters, but the vast majority of this book is highly focused on a particular method of oil painting. I definitely don't want to tell anyone they shouldn't get this book, just know what you are in for before you purchase it. These same techniques could be carried over to acrylics as well, though it would require some adaptation.

3 of 3 people found the following review helpful.
A fantastic book by a great artist and teacher.
By Robert G. Smith
This is the BEST book I have read on the subject. Period. Nothing else comes close. Patrick goes into great detail explaining both how and why he paints with both traditional and water mixable oils. He even touches on both digital painting and drawing. A side note, he has a book coming soon on drawing and anatomy as well. I can't wait for that one. Patrick's method is very traditional, and it is not fast or easy. It is thorough, considered and meticulous. At the same time it leaves room for spontaneity and inspiration. Not everyone will want to paint this way, but I promise you, you will learn much by trying it, and using his method does not restrict you to getting his results. I love this book!

I must, however, comment on Amazon's delivery service. I have been buying on Amazon for a very long time, and have lived at and had my orders delivered to the same address all of those years with very few difficulties. This order was delivered by a company I was unfamiliar with and I cannot recommend them. My initial order was delivered on a Sunday evening at 8 PM. My delivery address is a construction company located on a very busy commercial street in Chicago wit business hours from 8:00AM until 5:30PM six days a week. The front door opens directly onto the street. On my block there are two pizza restaurants, a breakfast restaurant, a bar, an art gallery, a fitness center and a convenience store. It is a
busy street with lots of foot traffic. The package was left on the sidewalk in front of the door. It doesn't take a genius to guess that it was gone by the morning when the business opened. To their great credit Amazon replaced my order at no charge and it was delivered promptly. In the evening, after business hours, to a neighbor, in a doorway that they rarely use. I was in the process of requesting a third delivery when the neighbor brought the package by three days after it was left. If Amazon had either a requirement of a signature for delivery or a way to request delivery during business hours this would not have happened. If the delivery person had used common sense and realized they were leaving the order where it was likely to be stolen. This would not have happened. I hope this is a helpful suggestion.

3 of 3 people found the following review helpful.
A Brilliant Compostition
By Richard W. Ware
Awesome book on techniques, showing step by step sampling. I've read a couple of reviews that were obtuse about the use of scantily clad women (some call them bare naked, but those apparently aren't actually looking at the detail) and are obviously not judging the work on any viable criteria--such as color choice, blending, glazing or layering. If you expect to see fantasy art without revealing suits (on men and women), you're new to the genre. Likewise, if you expect to see art without traces of either Frank Frazetta or Boris Vallejo inspiration in them. Jones's use of color is purely his own. As you look at his work, his style becomes more and more apparent. Yes it has nods to those who inspired him, just as Frazetta's work nods at N.C. Wyeth, Franklin Booth, Howard Pyle and so many others. Jones knows the traditional techniques, tells a poignant story with each subject, and shows your nearly every single step to achieve your own style with these techniques. I prize this book as much as my Loomis books.

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Senin, 07 Juli 2014

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Brand New Stats: Modeling the World Teacher's Edition 2nd Edition AP Edition

  • Sales Rank: #410204 in Books
  • Published on: 2007
  • Number of items: 1
  • Binding: Hardcover

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[G671.Ebook] Free PDF Legacy of Ashes: The History of the CIA, by Tim Weiner

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Legacy of Ashes: The History of the CIA, by Tim Weiner

For the last sixty years, the CIA has managed to maintain a formidable reputation in spite of its terrible record, burying its blunders in top-secret archives. Its mission was to know the world. When it did not succeed, it set out to change the world. Its failures have handed us, in the words of President Eisenhower, “a legacy of ashes.”

Now Pulitzer Prize–winning author Tim Weiner offers the first definitive history of the CIA—and everything is on the record. LEGACY OF ASHES is based on more than 50,000 documents, primarily from the archives of the CIA itself, and hundreds of interviews with CIA veterans, including ten Directors of Central Intelligence. It takes the CIA from its creation after World War II, through its battles in the cold war and the war on terror, to its near-collapse after 9/ll.

Tim Weiner’s past work on the CIA and American intelligence was hailed as “impressively reported” and “immensely entertaining” in The New York Times.

The Wall Street Journal called it “truly extraordinary . . . the best book ever written on a case of espionage.” Here is the hidden history of the CIA: why eleven presidents and three generations of CIA officers have been unable to understand the world; why nearly every CIA director has left the agency in worse shape than he found it; and how these failures have profoundly jeopardized our national security.

  • Sales Rank: #74003 in Books
  • Published on: 2007-06-28
  • Released on: 2007-06-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.75" w x 6.25" l, 1.10 pounds
  • Binding: Hardcover
  • 702 pages

From Publishers Weekly
Starred Review. Is the Central Intelligence Agency a bulwark of freedom against dangerous foes, or a malevolent conspiracy to spread American imperialism? A little of both, according to this absorbing study, but, the author concludes, it is mainly a reservoir of incompetence and delusions that serves no one's interests well. Pulitzer Prize–winning New York Times correspondent Weiner musters extensive archival research and interviews with top-ranking insiders, including former CIA chiefs Richard Helms and Stansfield Turner, to present the agency's saga as an exercise in trying to change the world without bothering to understand it. Hypnotized by covert action and pressured by presidents, the CIA, he claims, wasted its resources fomenting coups, assassinations and insurgencies, rigging foreign elections and bribing political leaders, while its rare successes inspired fiascoes like the Bay of Pigs and the Iran-Contra affair. Meanwhile, Weiner contends, its proper function of gathering accurate intelligence languished. With its operations easily penetrated by enemy spies, the CIA was blind to events in adversarial countries like Russia, Cuba and Iraq and tragically wrong about the crucial developments under its purview, from the Iranian revolution and the fall of communism to the absence of Iraqi WMDs. Many of the misadventures Weiner covers, at times sketchily, are familiar, but his comprehensive survey brings out the persistent problems that plague the agency. The result is a credible and damning indictment of American intelligence policy. (Aug. 7)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Tim Weiner, multiple Pulitzer Prize winner, longtime New York Times reporter, and the author of Betrayal: The Story of Aldrich Ames, American Spy (1995) and Blank Check: The Pentagon's Black Budget (1991) hits his marks in Legacy of Ashes. Drawing on more than 50,000 documents and 300 on-the-record interviews with key players (10 of them former directors of the agency; all of the book's many notes and quotations are attributed), Weiner treats his subject with a ruthless, journalistic eye, skewering Republican and Democratic administrations alike for the CIA's slide into mediocrity. One critic finds a weakness in Weiner's exuberant dismantling of the old guard at the expense of more contemporary analysis. Still, this is an important book that will capture the attention of anyone interested in the CIA's checkered history.
Copyright � 2004 Phillips & Nelson Media, Inc.

From Booklist
National-security journalist Weiner supports an American clandestine espionage service but flays the one that has been in business for the past 60 years. His history of the CIA draws extensively from primary documentation, yielding lively episodes of agents and operations and the reactions to their results by CIA directors and presidents. The title quotes President Dwight Eisenhower's negative opinion of the intelligence organization, a recurrent executive complaint that prompts Weiner's analysis of the CIA's historical problems. He argues that covert action has deflected the CIA from espionage's classic function of ascertaining adversaries' secrets and intentions and, accordingly, populates these pages with covert-action fiascoes (the Bay of Pigs in 1961) and intelligence failures to avert another Pearl Harbor (one reason the CIA was created) such as 9/11. Although critical, Weiner expresses esteem for certain CIA directors, such as Richard Helms. These directors understood espionage basics, and Weiner concludes with the hope that the CIA will get back to them. Thousands of the CIA's annual applicants will seek out an institutional history, and Weiner's ably meets that need. Taylor, Gilbert

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251 of 267 people found the following review helpful.
A Degree of Truth
By Retired Reader
As Tim Weiner makes clear in the first pages of this book, the driving force for the creation of CIA was to establish a clearing house where all intelligence information available to the U.S. could collated, vetted, and organized into coherent knowledge. And as he also makes clear this mission was subverted and overshadowed from the start by the culture of the veterans of the WWII Office of Strategic Services (OSS) who dominated the early CIA. These veterans were far more comfortable with covert action and clandestine collection of intelligence than desk bound intelligence analysis. So from the time of its creation to the present, the Directorate of Intelligence (analytic shop) has existed in the shadow of the Directorate of Operations (DO). Virtually every CIA Director from the beginning has focused on one or all of the following: initiating DO operations; cleaning up messes left by DO operations; or reorganizing the DO to do a better job.

This book is a case in point. Although ostensibly about CIA as an institution, the book really focuses on DO and its alleged failures. This fascination with the DO by journalists, Presidents, and CIA Directors has allowed the analytic arm of CIA to atrophy from almost the very first. Yet the many failures and embarrassments that Weiner has chosen to chronicle in this book are as much the fault of DI as DO.

Now this book is essentially a massive and well written critique of CIA and especially the DO. For the most part it is pretty accurate, but as CIA has pointed out in a rather pitiful rebuttal of the book, it is not entirely fair and balanced. For example, in 1998 India exploded a nuclear weapon to the utter surprise and amazement of the entire U.S. Intelligence Community (IC). Weiner jumps on the CIA in particular for its failure to predict this event. What he did not mention was the fact that India used its considerable knowledge of the workings of the U.S. Intelligence System to develop and execute a masterful denial and deception program. Further, India has a world class counter-intelligence service that makes collection of secret intelligence in India a very dicey proposition in the best of circumstances. True CIA was guilty in this instance of mirror imaging and failed to creatively use a number of clues available from secret and open sources, but it also had a really tough nut to crack, As Weiner chronicles the many missteps that CIA has made, he would be more credible had he also gone into a bit more detail about the impressive obstacles faced by CIA operations officers. In the end this is a fascinating book that accurately chronicles a part, but not the entire CIA story.

116 of 137 people found the following review helpful.
A first- rate richly sourced thought- provoking study
By Shalom Freedman
The incident which gives this book its title reveals something essential about its tone and direction. At the end of his two - terms of office President Eisenhower called into his office, the former legendary OSS officer and director of the CIA Allen Dulles, and said to him point- blank. " After eight years you have left me , a "legacy of ashes." In other words the institution whose task it was to provide vital intelligence to the U.S. Executive on world - affairs had not done its job. Eisenhower was concerned about what legacy would be handed on to his successor, President Kennedy. And surely enough some months later 'The Bay of Pigs' fiasco occurred in great part because of the faulty plan and information provided by the CIA's Richard Bissell. Bissell believed an infiltrating semi- Army of 1600 would easily defeat Castro's sixty- thousand troops. The result was the Kennedy Administration's first major disaster.
The two - sides of Intelligence work, the gathering of information, and the undertaking of covert operations are generously surveyed in this work. Weiner a long- time reporter for the NY Times devoted twenty- years to this book, and in the course of it read through fifty- thousand declassified CIA Intelligence documents. He also interviewed ten former directors of the CIA.
He points out errors made all along the way. Frank Wisner at the beginning ignored 'intelligence gathering' and sent during the Korean War thousands of hired agents to suicidal behind- the- enemy- lines operations. In the Bay of Pigs fiasco and in numerous other operations the CIA instead of providing hard, truthful contradictory analysis essentially worked to politically support a prior decision of the Executive branch. Speaking 'truth to power' has not been its essential strong point.
Weiner understands the difficulty of having a spy agency in a democracy where there is always a certain discomfort regarding covert operations. His argument is nonetheless not about the wrongness of having such an Agency in a Democracy, but rather about the too frequent failures of judgment and action.
This book is extremely rich , providing new insight into a great share of American post- war history. It touches upon almost all the major conflicts. It also chronicles CIA successes wherever they have occurred, It is not in other words a one- sided politically motivated bashing of the Agency but rather a thoughtful, informative, challenging study that may provide valuable guidance as to how the Agency should be reformed to better confront the many security challenges the U.S. is facing today.

9 of 9 people found the following review helpful.
Surprisingly good....from a conservative reader's POV too!
By Bryn C. Dunham
As a conservative I picked this book up expecting another liberal hit piece against the people who keep us safe. Surprisingly enough I was impressed by the appearance of objectivity of the author. Using primary sources and countless interviews from former employees and CIA directors the author tells a story of the CIA that is quite alarming. As the title indicates this is about the failures of the CIA since its inception following WWII. What we learn is that right from the beginning the CIA deviated from its intended mission: collecting accurate intelligence to aid policy makers and the president. Instead the CIA began on a track of attempting to be a cloak and dagger agency; getting involved with political assassination, swinging foreign elections, aiding coups, and sabotage.

Though the original minds and spies at the CIA were bold and wanted to penetrate the USSR and subvert the global spread of communism, their track record of success is pitiful. In the business of national security good intentions can be deadly. Results preserve peace and the CIA did not deliver when it mattered.

The book is a chronology of its failed missions and almost criminal negligence in its expenditure of men and money. The CIA was created to stop another Pearl Harbor and 9/11 and it failed...miserably. This book explains how.

Sure there were some successes but they were few and far between and this book explains them well. Some of book beween Korea and Vietnam were a tad long winded but it's important for the book.

Some key points of interest were how the CIA interpreted the JFK assassination (not to spoil it) but it's obvious they weren't involved; they weren't that good! George H.W. Bush is still regarded as a CIA favorite director despite not really doing too much. The CIA kept Reagan in the dark about the Iran-Contra deals, and Clinton didn't give a crap about the CIA. When it comes to W the book gets interesting. I expected the author to ring Bush's neck but instead he points a very clear picture about why the administration decided to move forward with Iraq and why their assessments about WBDs were wrong. There is no evidence that Bush lied but in instead the CIA was downright wrong, irresponsible and incompetent. This book faults all the presidents to some degree but since I couldn't find clear bias though I was looking for it I am satisfied on this books objectivity. The future doesn't look too bright for the CIA and in fact their covert activity is clearly best left to the military. The image of Hollywood and popular fiction painting the CIA as an omnipotent agency capable of amazing James Bond-ish success is clearly a fantasy.

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